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Welcome to the Origami Poems Project

Helping the world, one free microchap at a time!
Clothesline Poems

What is an Origami Poems microchap?

A microchap presents poems on a single sheet of paper.
The paper folds origami-style into palm-sized booklets containing 6 pages of text.
 
A microchap "page" has 47 characters per line, including spaces.
For longer-lined pieces, three (3) reading pages are available with 107 characters per line.
Each page accommodates 25-27 lines.
 
Download & save each microchap PDF (no charge) from the website to print & share.
(Folding hints: here) • Submittable link found under Submissions
♦ 
DID YOU KNOW?
Our TENTH YEAR 2009-2019 sharing free poetry!
 
2019 June July Newsletter

Read this Newsletter - Microchaps by:

Austin Davis, Dmitry Blizniuk, Glenn Ingersoll, Jane Beal, Lauri Burke, Lynne S. Viti, Mary C. Rowin, Matthew James Friday, Nikhil Parehk and Tom Pescartore

· • ·
Previous Newsletter: 
Catherine Zickgraf, Charlene Neely, Editor Kitty, Jane Beal, Joyce Brinkman, Martin Willitts, Jr., Neil Kennedy, Rosalind Brenner, Sanjida Yasmin & Scott Hughes
· • ·
 _____________________________________________________________
 

 Recent Origami Microchaps Published 

On Deck*
Martin Willitts Jr, Emma Wang, Cheryl Caesar, Felix Purat, Robert Epstein, Julia Klatt Singer, Marsh Muirhead, Andrena Zawinski, Karla Linn Merrifield & others
 
 
* In whatever order we manage to present them... Please be patient, we are leisurely readers.
(Submissions close mid-July thru August - Re-opens September...)
-
Now that it is September - Submissions are Open!
Kevin OPP banner
Next Newsletter: Fall/Early Winter 2019  Sign up here
* * *
Coming (sometime) Soon...
Fall Submissions are being drafted
 
The Flower is the Myth  Haiku Mysteries - Robert Epstein
100 Words - Julia Klatt Singer
 
 
♦ ♦ ♦
 September 2019
Six 100-word Prose Poems... all in one microchap!
 
100 Words - Julia Klatt Singer
 
 
 
 
♦ ♦ ♦
End of August 2019
First microchap collection after our summer hiatus...
 
 
K Srilata WebCVR Asleep Under My Tongue 2019
 

A Woman of Letters
 
Some day what I want to be is a woman of letters,
to retire to my study and be
solitary.
I can see it all:
that desk - neat, rectangular, coffee brown,
its drawers seductive and deep,
holding secrets from another age,
on it some paper, a pen and an ink well,
and a bookcase filled with every kind of book -
Austen definitely and Dickinson and Chugthtai...
 
No adolescent daughters abandoning dresses in contemptuous heaps.
No grubby sons, their dirty socks like bombs under my books,
No spouses, no mothers, nor mothers-in-law
with their urgent thoughts.
Sometimes all I want to be is a woman of letters.
Between chores, the very idea makes me weep.

K. Srilata © 2019

Poems in this microchap are part of a larger collection,
"The Unmistakable Presence of Absent Humans" published by Poetrywala, Mumbai 
 
Cover art by Roshni Vyam, is by her kind permission. 
A Poem in My Mother Tongue
 
When I moved out,
I left behind
an aquarium,
in it a fish,
mad and solitary,
swimming,
the entire line
of a poem
in my mother tongue,
a poem I am still fishing for,
miles away
and out in the stinging rain.
 
 
K. Srilata, poet, fiction writer, academic and occasional translator, is also Professor (English) at IIT Madras, India.  Her debut novel "Table for Four", longlisted for the Man Asian literary prize is published by Penguin India. 
Her most recent collection of poetry, "The Unmistakable Presence of Absent Humans," is published by Poetwala, Mumbai.  "Asleep Under My Tongue," her third Origami Poems microchap, includes selections from the 2019 collection.
The microchap's cover art is by kind permission of the artist, Roshni Vyam.
 
 
K Srilata bio pic 2019
 
♦ ♦ ♦
 
July 2019 
Final micro before summer break!
 
Matthew James Friday CVR 23.5 degrees
  Dust
 

  If we are just dust
  hovering in the light
  lit up by a splutter
  of energy, enough
  to claw some crude
  shapes, form dreams
  of better shapes,
  making better dreams;
  making every art,
  achievement, agony:
  agonising over instances
  of what was, is, will be
  long after the dust has
  settled, sloughed. Then
  what precious dust
  we are, how carefully
  we must hold each other,
  never spilling a grain.

  ·

  Together

  Elderly couple waddling
  down the evening street.
  Holding each other close:
  his white stick tapping,
  her eyes half opened, flickering.
  No leader, just together.

 

DNA Destiny

I reach out in bed, press
fingers into your shoulder,
my thin glove of flesh
and bones becoming fused
with the felt of your existence,
feeling that skeletal future
but asking that the magic
of carbon atoms amassed
from the decay of some
other organic miracle,
a DNA destiny shaped
by flint, fire, endless
immigration through eons
of evolution to end up
as me in a bed with you
asleep, unaware; asking
the magic to stay forever,
defy the deafening darkness.

·

Trickster Time

We are a few moments of time
loaned by the Great Trickster
from the Big Bang bag
for us to use, abuse, amuse
Him or Her as best we can.

 

An almost invisible thread
in the tapestry of billions of years.
We unravel through countless
errors, regrets, greying hair,
fated to the same ending.

 

Delay just an illusion, a gift.
We are all children tiptoeing
downstairs on Christmas day
to find the Great Trickster
welcoming us back to nothing.

·

Matthew James Friday © 2019

 
Matthew James Friday has had over 60 poems published in many UK and worldwide magazines and journals, including, recently: The Brasilia Review (Brazil), Drawntreader (UK), New Contrast (South Africa), Sheila Na-Gig (USA) and Poetry Salzburg (Austria).  His fourth microchap, 23.5 Degrees, refers to the tilt of the Earth's access: a tilt borne of violence but also luck as this leaning, this imperfection gives us our seasons and all the gifts and challenges that come with us.  The selected poems capture some of that grand vision while also grounding it in the small stories of our lives. Read more: http://matthewfriday.weebly.com/ 
Matthew James Friday
·•· 
 
 
Photo by author taken at
Rancho Santa Ana Botanical Gardens
 
Jane Beal CVR Garden JUL 2019
 
for Michelle Lynn Smoler
teacher, yogi, neighbor, sister, friend

entering the garden

water trickles down
the hollow of an old stone
a bird stoops to drink
·


turtle pond

a turtle hatchling
is all alone on her stone
but the sun is warm
two turtles sunbathe
on a stone in the dark pond
watching me watch them
an older turtle
circles in the pond water
looking for a stone
·


duck pond

the hen is asleep
but the drake is holding his
morning yoga pose
humble waterfall
pouring down into the pond
going deeper still
afternoon sunlight
a green leaf in deep water
reaches for the sky

origami in the garden

white origami
cast in metal and shining
birds and butterflies

a paper airplane!
then the white peace crane unfolds
to become a star

shining buffalo
with a small bird on his back
looking out at us

·

leaving the garden

the old mother-tree
and her branching canopy
stays in memory

·

Jane Beal © 2019

 
 
  

(inspired by Robert Lang & Kevin Box artwork - Rancho Santa Ana Botanical Gardens exhibit, Claremont, CA * April 2019)

 ·
Jane Beal, Ph.D., poet, has written many poetry collections, including a book of haiku and haiga, Tidepools (2009), and a book of haibun, Wild Birdsong (2011). Her haiku also appear in the Asahi Haikuist, Frogpond, Haibun Today, Haiku Journal, and Illinois Audubon Society Magazine, among others. She teaches at the University of La Verne in southern California. See http://sanctuarypoet.net
Jane Beal 2019
 
·•·
Introducing... 
Cover art by Lauri Burke
 
Nikhil Parekh CVR Good Morning Sunshine June 2019
 

From Good Morning Sunshine

Good Morning Sunshine; thank you for filtering stringently through my dingily dilapidate window; embedding optimistic rays of hope in my life,

Good Morning Cuckoo; thank you for waking up my gloomy sleep with your poignantly austere sounds,

Good Morning Grass; thank you for rejuvenating my dreary soles; as I trespassed on your voluptuous carpet; with your magnificent sheath of dew drops tickling my skin to unprecedented limits,

Good Morning delectable pet; thank you for clambering up my bed; awakening me with a pleasant jolt; as you flapped your slippery tongue over my rubicund cheeks,

Good Morning Shirt; thank you for imparting me with compassionate warmth; as I swung you over my naked chest the instant I broke my reverie,

Good Morning Wife; thank you for providing me your mesmerizing shoulders to rest upon in times of the treacherous night,

Good Morning Ducks; thank you for quacking so boisterously; that I became oblivious to all the loneliness and wretched depression that heavily circumvented my life,

Good Morning Air; thank you for so celestially wafting into my nostrils; seductively caressing my mass of unruly hair; to transit me higher than the heavens,

Good Morning Lotus; thank you for spreading your ingratiatingly pink petals into full bloom; inundating my solitary life with astronomical happiness,

Good Morning Tea; thank you for profoundly reinvigorating my diminishing breath; fomenting me to walk briskly forward with untamed exhilaration,

Nikhil Parekh © 2019

 
Nikhil Parekh is a poet and author from Ahmedabad, India. He is a 10-time National Record holder for his poetry with the Limca Book of Records India; which is India’s Best Book of Records, Ranked 2nd in the World officially to Guinness Book of World Records.  Read more: https://nikhilparekh.net/ 
 
·•·
 
Please Welcome...
There's Nothing Black - Dmitry Blizniuk

Cover collage: Loaf of Bread, Lilacs & Thee by JanKeough

Dmitry Blizniuk CVR Theres Nothing Black JULY 2019

There’s Nothing Black

You and I are out in the sunny, snow-covered park.
Our steps crackle like freshly-baked bread.
The silver sturgeon spawns everywhere:
the caviar of ice rings on the black glazed branches,
and we, in no hurry, walk on and on...
Our hands sleep in the pockets of our coats like field voles.
The fog of our breath is dense and sluggish;
it drags behind like a three-toed sloth.
It freezes in the prickly air,
and on the foggy glass of our steaming breath,
I draw two graceless hearts with my finger
and sign our moments like photos, on the back
(the date, the name, the smile).
And the soul flies out like a genie released from an amphora,
or from a flask.
But there’s nobody around,
and my soul is its own master,
its own Marcel Proust.
Our shadows play snowballs, snort like Labrador retrievers.
There’s still hope, and the street lamps come on childishly early,
with the shaggy magic of overgrown dandelions.
The snow – blue-green, marbled, granular –
comes to life, like everything touched by the quill of a creator does.
And I dip my quill, made from an arrow,
into the inkwell of my heart,
where there’s nothing black any longer.

·

Dmitry Blizniuk © 2019

You are a cat,

and all your nine lives are wasted on trifles,
on washing and cooking and tidying up,
on war painting your face and body,
on taking cat naps beside the cradle.
I have so little of you left to hold –
shall I pour you some moon milk?
I’m reading you like teenage adventures of Sherlock,
like crib notes written on a girl’s knees.
All that is left of you is La Peau de chagrin
that gets smaller and thinner with years,
but I never give up wishing, longing.
A small feather sticks out of the pillow
like a skiing track on a mountain slope;
the caramel moon shines through the window,
and I’m looking at you through the years
as if through a heavy snowfall:
you’re smiling, and your lips
look yogurt-stained
in the flurry of the falling snowflakes.

·

Dmitry Blizniuk © 2019

Previously Published: Sheila-Na-Gig Online,
Vol 2-2, Winter 2017

 

Dmitry Blizniuk is an author from Ukraine.  His most recent poems have appeared The Pinch Journal, River Poets , Dream Catcher, Magma, Press53, Sheila Na Gig, Palm Beach Poetry Festival and many others. Dmitry Blizniuk is the author of "The Red Fоrest" (Fowlpox press, Canada 2018).  He lives in Kharkov, Ukraine.

dimitry blizniuk

·•·
 
Who Owns these Trees? - Tom Pescatore

Cover art by Lauri Burke w/JKeough

 Tom Pescatore CVR Who Owns These Trees 2019

Why I'm not Coyote

he walk with belly face the ground
hitch in step
slant smile tongue wag
long shag hair
eyes to grind see road roll

I've no story of Coyote man
I got no place; no past.
land had shackles before I crossed.
only heart is here my own
who knows from where I've come.

Coyote is not Buddha
but friend to Buddha man
maybe I am not Coyote
sure
maybe I am Buddha then
if Buddha were American
maybe
he'd be me too
but then like Coyote say
he could also be you

Who Owns These Trees? 

I am not quite sure

    who owns or manages these trees.

they are nice.

    I am not quite sure

who manicures this forest

    it was incorporated long ago.

I am not quite sure

    who has planted these seeds

they are biologically engineered.

    I am not quite sure

who to thank

    for the fences that surround them.

Tom Pescatore © 2019

 

 
Tom Pescatore can sometimes be seen wandering along the Walt Whitman bridge or down the sidewalks of Philadelphia's old Skid Row. He might have left a poem or two behind to mark his trail.  His first novel the Boxcar Bop is available now from RunAmok Press.  He blogs at A Magical Mistake.
 Tom Pescatore 300x225
·•·
 
June 2019 
 
First Star - Infinite Chi - Lauri Burke

Cover art by Lauri Burke

Lauri Burke WEB CVR First StarInfinite Chi JUNE 2019
 

First Star - Infinite Chi

 

First star am I, crying dibs upon the night,
surf surges with the moon seen full.
Sol in decline, we celestials tune lapis tints
to our own advantage,
black, white, diamanté, we are evening’s formal tuxedo,
our role to brake the overwhelming radiance of day,
we don’t give a fig about how hard it is to maneuver with zip in the dark,
the light we issue wags the tail of night,
our matte dark painting shows arms and vanes of subtle bright,
giddy radiance sent sparkling from suns eons away,
quite alien to the present day.
Oh! To be me!
Tied to forces of infinite chi!

·

Note: Poem written from words in a Scrabble game. How many points?

Keeping Company with the Moon

 

Watercolor moon hesitates in sky,
face streaked in cloudy purple brush stroke bands,
though decorative, she can't make social plans,
owns no boon companions I can see.
I've learned she edges from us like shy child,
mere inches only in each swooping year,
I fear this faint reluctance to adhere,
demonstrates a nature unreconciled.
I'd like to coax moon home from firmament,
invite her to roll lissome down my hall,
but there Luna would scarcely be content,
and then again, my house is much too small.
Instead I'll go outside, put up my tent,
peek through flap, keep company as she falls.

From Tales from the Button Drawer: Harold the Button 

Harold was a large ivory button, a singleton, who lived in a button drawer with his many friends. Most were small families plucked from worn out sweaters, party dresses and outgrown coats whose fabrics had gone on to make up quilts and socks stored upstairs in the tall closets and dressers of the second floor. Harold’s companions ranged in size from tiny mother of pearl creations to a set of great, curved horn buttons who once strained mightily to fasten a woolen coat of loden green. 

Though the horn family liked to toot of days gone by, hunting in the deep woods with Grandpa Swenson, all such adventures were long in their past.

The pearl sisters, in turn, were always eager to talk about the high tea Grandma Swenson once put on for the elite of the neighborhood. They saw it all, in great detail, from their perch on her high-necked, ruffled dress. Even the shoe buttons were full of themselves, having covered a great deal of ground in their time.

Harold, sad to say, came from the button shop one hole short, he had only three when he should have had four for thread to enter and secure. Yet, being made of ivory, in those frugal times, he wasn’t thrown away, simply tossed into the button drawer, there to stay, and stay... and stay.

It was hard to have to listen for so many years to the adventures of others, and have none to share in return.

Lauri Burke © 2019

 
 
Lauri Burke grew up on the shores of Lake Michigan. She worked the better part of 40 years at the Barrington Public Library in Barrington, RI, where she had the great pleasure of continuing her education in the arts and humanities through her work designing and implementing cultural programming. Recently retired, Lauri looks forward to diving into the manifold joys of creativity with time to spare. Lauri is happily married to Jeff Burke, and is the proud mother of Flannery Burke. She has published poetry in a variety of little magazines, as well as three origami booklets ('Talking Back to Tales', 'Moving On: 5 Sonnets in Time' and 'Oh My Heads...') in the Origami Poems Project of RI. And visit Lauri Burke's Artist's page here.
 Lauri Burke brick portrait
·•·
 
bus stop bench - Glenn Ingersoll

Cover collage by JanK

Glenn Ingersoll CVR Bus Stop Bench 2019

propped by the door
the electric scooter
he kept telling me I wanted
*
reading bad news
cat on my shoulder
fussing
*
lighting the incense
to contemplate
higher odors
in the machine
the clothes slosh
labor-savingly
*
I have my mother’s hands
my mother’s nose
but bigger
*
she doesn’t look at me
I don’t look at her
bus stop bench

Glenn Ingersoll © 2019

 
Glenn Ingersoll works for the public library in Berkeley, California where he hosts Clearly Meant, a reading & interview series. He has two chapbooks, City Walks (broken boulder) and Fact (Avantacular). A multi-volume prose work, Thousand (MCTPub) is now available from Amazon.com; e-book at Smashwords. He keeps two blogs, LoveSettlement and Dare I Read. Recent work has appeared in bluepepper, concis, and brass bell. - Read more: http://dareiread.blogspot.com or http://lovesettlement.blogspot.com/
Glenn Ingersoll
·•·
 
Cover collage by JanK 
 
Mary C Rowin CVR What She Kept JUNE 2019
 

What She Kept in Her Wallet

It was folded in thirds, a yellowed fraying bit
of newsprint from a local paper that noted
births, deaths and fiftieth anniversaries.
I recognized the names, a couple my mother
mentioned at holidays or when reminiscing
about school days in Nebraska or when she
was teaching, an old maid back then, scarred
from a car accident. She married late,
had me, late, and regarded her own fiftieth
anniversary as her greatest accomplishment.

The Only Object I Pocketed Illegally

I probably intended to label
each stone, pebble and shell
I brought home, from the first time
I stepped into the Mediterranean
to shells from Hatteras, Naples Beach,
Pacific Grove, and stones from ruins
in Rome, Petra, Delphi, now tossed
into bowls, nestled in jars,
who knows where from.
The pottery shard from Mexico is unique,
cannot be confused for anything but what it is.

Mary C. Rowin © 2019

 
Mary C. Rowin's poetry has appeared in publications such as Panopoly, Stoneboat, Hummingbird, Solitary Plover and Burningword Literary Journal.  Recent awards include poetry prizes from The Nebraska Writers Guild, and Journal from the Heartland. Mary’s poem “Centering,” published in the Winter 2018 issue of Blue Heron Review, was nominated for the Pushcart Press Anthology. 
Mary c rowin at podium
·•·
 
Cover collage by JanK 
 Austin Davis CVR Rev A Trip Back Home 2019
 

A Trip Back Home

We’re only 19 -
7 years older than we should be
and 7 years younger
than we have to be. We don’t
draw faces on the river banks anymore
but tonight seems like the kind of night
where we should race each other
to my favorite creek
(yes, of course I have a favorite creek)

and reenact The Tale of Despereaux
with some pebbles and mud.
Let’s write an ode to the tadpoles
afraid to grow into their slimy skin
and ride our bikes to Steak ‘n Shake.

We’ll split a Steakburger and pop
and when we’re as bubbly as lightning
bugs finding love without swimming
in a cheap pool of spilled beer,

you’ll look at me as if we could change
the world with a well timed joke
and I’ll show you the lakehouse on the moon
I bought with credit when I was young
enough to still see a mirror in screen doors.

 

Don’t thank me for a perfect night just yet.
Don’t kiss me goodbye and call me
on your way home. Don’t tell me
the night isn’t a cloud for us to lay on
and don’t build the next morning
from newspaper scraps, sweat stains,
and an alarm clock that reminds us
that spending money is just spending
the time it took to earn that money.

Just close your eyes with your back
turned to the setting sun.
Sit with me in the middle
of this green and gold cornfield
and pray that our clock
has a worse sense of direction than I do.

Hold me tighter and tighter
as our shadows come to life
in a rain puddle of crows,
stand up and stretch.

That’s when we’ll know
it’s another one of those quiet summer nights
where we’re the only kids
crazy enough to still slow dance
in each other’s heartbeat.

Austin Davis © 2019
- Previously published by Bone & Ink Press

 
Austin Davis is a poet and student activist currently studying Creative Writing at ASU. Austin's writing has been widely published in dozens of literary journals and magazines including Pif Magazine, After the Pause, Philosophical Idiot, Soft Cartel, and Collective Unrest. Austin has also been featured in KJZZ’s “Word” podcast, and The East Valley Tribune. Austin’s first two books, “Cloudy Days, Still Nights” and “Second Civil War” were both published by Moran Press in 2018. Check out his website at austindavispoetry
Austin Davis 2019
·•·
 
♦ ♦ ♦
 
May 2019
 
  

In Louisburgh, County Mayo, Thinking About Dublin

The smell of burning peat in this steady morning rain
suggests a memory out of reach, something from years ago
when I got the notion to drain my small savings account,
head for Ireland, once final exams were read, grades in,

textbooks collected, counted, accounted for, our bosses
satisfied that the City of Stamford had gotten its due.
I was twenty-six, marriage in shreds, divorce papers drawn up—
I was seeking a different self, a poetic self.

I stayed a week in Dublin, wandering the paths Joyce describes.
Each day I distracted myself from the hole in my life,
went to the Abbey, met an American actor, a minor
figure on the Broadway stage who took me to an after-hours place

frequented by the Dublin theatre crowd— I could’ve sworn
when we knocked and the actor whispered the password,
the man who peeked out and opened the door was Milo O’Shea—
The actor and I drank Jameson’s neat, sipped it slowly.

 

In Boyle, County Roscommon, town of my great grandmother,
I wandered the cemetery, searching for the Sheekey graves.
The headstones from the days of the Great Hunger hid in the high grass.
I rented a small red Ford, drove across Ireland,

slowing down, stopping often for the sheep, accepting waves
from old farmers as I shifted into first gear, on to the next village
stopping each night to find a room and perhaps supper—
Supper identical to breakfast, eggs and rashers,

Brown bread and white, tomato, tea, lashings of butter—
I ate too much and drank the Guinness, which fattened me up--
I outsized my waistbands. I was growing in my grief:
Instead of wasting away. I came home a stone heavier,
a bottle of Jameson’s in my duty-free bag.

Lynne S. Viti 2019

 
Lynne V new bio photo
 
Lynne S. Viti, born and raised in Baltimore, is the author of two poetry chapbooks, Baltimore Girls (2017) and The Glamorganshire Bible (2018); and two micro-chapbooks, Punting and Dreaming Must Be Done In The Daytime (with a third collection arriving late spring 2019). Senior lecturer emerita, Wellesley College, she blogs at stillinschool.wordpress.com 
·•·
 
Example of a microchap PDF layout - Lansdcape setting! 
EX of PDF Ariana Den Bleyker A Bridge of You

 

 See 'Recent Books' for a more complete listing

  

All Original poetry published is considered for our annual Pushcart Prize recommendations
 
Origami Poems PUSHCART PRIZE NOMINATIONS
We nominated the following 6 poems for the 2018 Pushcart prize - Click title link to read...
 
 
* * *
 
Welcome some of the poets new to the Origami Poems Project
(Peruse Pick a Poet page where poets are properly compiled alphabetically by first name.)
 
Summer 2018 thru Winter 2019
TEMPLATE 2019 Summer Winter 1
 
   ·•·     
 
Wendy, the poetic mini-schnauzer
I am so grateful to Origami Poems Project as you were the first to publish a body of my poetry and that gave me so much confidence... Thank you again and again. Now I have some big news to share with you: my first full manuscript has been accepted for publication! It is entitled Found: Between the Trees and is being published by an indie-press called Grey Borders Books out of Ontario Canada. I received the letter on January 15th. I couldn't stop laughing and crying all at once. Here is the link: http://www.greybordersbooks.jigsy.com/tak-erzinger
TAK Erzinger 2/2019
 
I’ve been working on a set of poems, based the light scale—the words that go from light to dark. I’m sending a set of six to consider for an origami poem book. Although they might be too long? I thought of you, and your wonderful press/project, because I think they’d look nice together.

Julia Klatt Singer 2/15/2019

Oh, I am so happy about this! I have been working on a very long full-length collection lately and have not been doing small submissions very much...so it's really great to have this. I have gotten a kick out of handing out pre-folded chaps at readings or inserting them in each book I sell. People really seem to enjoy the concept and the poetry!
Lynne S. Viti 1/11/2019
 
Great news to start the New Year! I am delighted to be chosen again. I look forward to the publishing process in the near future.
Matthew Friday 1/10/2019
 
My copies arrived last week. Sorry for my delayed response. They are BEAUTIFUL! THANK YOU so much.
Christopher Soden 1/09/2019
Good Afternoon Jan,

I’m over the moon to receive this acceptance. I oh so appreciate OPP’s mission and am honored to be included once again.  ...  I hope you enjoy the holidays. Thank you again for believing in my work.

Ariana D. den Bleyker 12/21/2018
 
I love, love, love your graphic on the front cover! Everything look good to me I thank you for the changes.

Many thanks for your passion for microchaps.

"Poetry belongs not to the writer but to the reader who needs it."

Carol Anderheggen, RI 12/08/2018
 •
Jan, thanks for all your work to promote my little book of poems. I am going to post a link to it on my Facebook page too and will let all my friends, family, and acquaintances know about it. Great job!
Gretchen Fletcher 11/28/2018
 

Your project is excellent and I am proud to be part of it and happy to support it.
Write On,
Norma Jenckes, RI, 10/15/2018


What beautiful gifts you make for poets. So many thanks.
Peggy Turnbull, 9/25/2018

Thanks for all your hard work! I am proud of our little creation.
Phil Huffy, 8/04/2018

• 

I'm so excited! Thanks so much, Jan. I can't wait for the magic.

Gail Goepfert, New England, 7/10/2018

 

Thank you again for your confidence and support!
Daryl Muranaka, Massachusetts, 6/30/2018

Thank you so much Jan.  I am exited to be a part of your lovely project!

Ann Christine Tabaka, Delaware

*

 I love your philosophy and making of tiny books. I was also tickled to see one of my painting on the bar of books when I went to your website. Thank you for considering my work. And now I'm about to walk my dog, Otis. He'll be happy about that. 

Julia Klatt Singer

I’m delighted that you will be publishing “At Paisano Ranch.” Your microchaps are such wonderful ways to get poems out and
share them for free. I love the idea. And yes, I’m sure Buddha would have loved chaps!
Chip Dameron, Texas
 
Hi Jan (& team), I'm so pleased & excited that you're going to be publishing The Firefox Suite - it's made may day!
Oz Hardwick, Northern UK
 
Wow! This is gorgeous. I love the cover art, and can’t wait to let people know of our beautiful little book.
Thanks for publishing it.
Robert Okaji, Texas
 
Please thank Lauri Burke for the illustration which fits in nicely with the title. 
Neil Leadbeater, England
 
Hi Origami!  love what you do
Miriam Sagan, New Mexico
 
Dear editors, I truly enjoy reading the micro chaps you provide for free...
Ana Prundaru, Switzerland
 
Looks great. As usual, Ms. Burke's cover art matches the content beautifully.
Bob Carlton, Texas
 
I just happened upon your site when looking for an April is Poetry Month project for our teens in the library. I would love to be able to have a micro-chapbook display. I see that there are "self-stocked" libraries in Rhode Island but I know it is too late for me to request a sampling.

I would like to make sure that it is okay for us to use the PDF printables and hold a "pay it forward" in the library. So, our teens would fold the PDF's that we print off and pass them out to customers or leave them in the 800's poetry stacks for customers to take at will.  Thank you for the fabulous site and inspiration!
Sincerely, Christy M., Information Services Specialist
Columbus Metropolitan Library, Whitehall, OH
(Editor's Note: We did send the library a sample of Origami books... and with great pleasure! - Jan Keough)
Origami Poems Project, the sweetest little publishing endeavor we have, ‘changing the world one micro-chapbook at a time.’  
ayaz daryl nielsen, Colorado
 
I'm really excited about this collection and having it be a part of Origami Poems!
Donald C. Welch III, Brooklyn, NY

Etcetera!

More "did you know?"
 
Previous Newsletters:
Alex Stolis, Diane Jackman, Felix Purat, F.I. Goldhaber, Jason Heroux, JD DeHart, Joseph Somoza, Lynne Viti, Maryalicia Post, Matthew James Friday, Melissa Huff & TAK Erzinger
 
Adrian S. Potter, Ariana D. Den Bleyker, ayaz daryl nielsen,Ben Heins, Carol Anderheggen, Christopher Stephen Soden, Helen Burke, Julia Klatt Singer, Kayla Bashe, Martin Willitts, Jr., M.J. Iuppa, Peter Roberts, Phil Huffy, Timothy Tarkelly
Link is:  here
 

Helen Burke Reading

Helen Burke  Oct 30, 1953- Apr 20, 2019

We take this moment to tell you that Helen Burke, a much-lauded UK poet & artist, and great friend of ours, 

passed away Saturday, April 20th at home. We greatly mourn her loss and send our sympathy to her steadfast & loving companion, Phil Pattinson.

June 2017: Founding editor, Jan Keough has published the novella, 'Jasmine Tea, a wandering'
"A pot of Jasmine Tea lilts on a shelf by an open window."

OPP WEBSITE JASMINE COVER Amazon
Cover art and hand-drawn pencil illustrations by Peg Quinn of Santa Barbara, CA
with digital artwork by the artists Lauri Burke, Phil Pattinson, Helen Burke
Read previous Newsletters (Sign up here)   Next newsletter leaves the e-door November 2018
 
The Best of Kindness (contest) anthologies
 
The Best of Kindness 2017 Anthology (Amazon) - Read some of these 62 poems

Kindness TWT 2017 Front Cover
*
 
2016
(41 poems selected from our 2016 contest entries) is available on Amazon.
Cover image by poet/artist, Lauri Burke, "Rainy Cherry Blossoms"
Alphabetical List of Poems & their Poets in this Anthology available here as a PDF
And some reactions to the anthology:
The Kindness Anthology arrived today!!!  Gorgeous!I gave (a friend) a copy...
She is now reading one poem every morning and writing a little meditation essay on it. 
MM, 6/8 RI
It doesn't get better than kindness - this anthology is a rich tapestry
of the many ways kindness can show up.
MR, 6/6 Amazon purchase review
* * *
We've been asked, "How do I get an Origami Microchap?"
Every microchap can be downloaded as a single-page PDF and printed - for free.  If you don't have a color printer simply choose the "print grayscale" option. Below are Screen Shots of what we mean.
      
The SINGLE PAGE PDF                                                  SCREEN SHOT of (Our) Printing Options

Microchap Display Locations

Poets' group in Lincoln, NB Wildflour Artisan Bakery & Cafe, Decatur, IL
Cafe 164 at Leeds Gallery & at Cafe in York, UK Self-stocked libraries in RI

     Due to the widening perimeter of the Origami Poems Project we are hard pressed to replenish the many locations that have previously visited the (primarily) RI locations.  We are happy to send a sampling of chapbooks for a display but cannot "stock" them on an ongoing basis.  We are grateful for your understanding.  If you wish to volunteer to support a location, please ask...   origamipoems(at)gmail(dot)com   

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We know you'll enjoy these Origami Microchaps

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